Croxley Mummers
The custom of ‘Mummering’ or The Mummers’ Play has a long tradition over several centuries but its origins are mixed and varied and the story line can take many forms. The play itself is loosely based around the hero, St George.
Shortly after the First World War, Neggy Wilson (the Old Boys School headmaster), decided to gather together a Mummers’ Troupe in Croxley Green. He invited ex school boys who had shown an interest in the school’s annual Christmas Concert to become members. He created a version of the play for the village, adapted from many accounts of those used around the country.
The play can comprise countless unusual characters but Neggy’s play consisted of St. George, The Dragon, The Turkish Knight, The Doctor, Father Christmas, The King of Egypt and his daughter, The Giant and The Lord of Misrule.
All the versions of the play tell a similar story of the hero, St George who is killed by the Dragon. After being revived by the Doctor, St George defeats the Dragon, the Turkish Knight, and finally the Giant. The action concludes with St George winning the hand of the King of Egypt’s daughter and the Doctor using his magic potion to revive those slain by St George.
Early performers included Stan Lyons, Fred Randall, the brothers Jim, George and Bill Samuels and Frank Paddick. Other cast members included Bert Sadler, Albert Seabrook, Don Webb, Felix Walsh, Paddy Moohan, W Samuels, Jack Tandy, Peter Samuel, A E Warn and John and Michael Thomas, all of them well known Croxley Green names.
It soon became the tradition for this imaginative group to be asked to perform the play yearly on Christmas Eve as well as giving other special performances. They raised money for local charitable works as well as for the school funds. The local hospital received various sums and the school its first wireless (radio) set.
Some weeks ahead of the Christmas festivities, the young men were assigned or reallocated their parts and rehearsed in preparation for the big night. The costumes were home made but very elaborate and although of an amateur style the production was very entertaining. These masks and costumes, having been stored away under the stage of the theatre behind the Guildhall, were examined to make sure they were in good order before their Christmas performance.
Shortly after the First World War, Neggy Wilson (the Old Boys School headmaster), decided to gather together a Mummers’ Troupe in Croxley Green. He invited ex school boys who had shown an interest in the school’s annual Christmas Concert to become members. He created a version of the play for the village, adapted from many accounts of those used around the country.
The play can comprise countless unusual characters but Neggy’s play consisted of St. George, The Dragon, The Turkish Knight, The Doctor, Father Christmas, The King of Egypt and his daughter, The Giant and The Lord of Misrule.
All the versions of the play tell a similar story of the hero, St George who is killed by the Dragon. After being revived by the Doctor, St George defeats the Dragon, the Turkish Knight, and finally the Giant. The action concludes with St George winning the hand of the King of Egypt’s daughter and the Doctor using his magic potion to revive those slain by St George.
Early performers included Stan Lyons, Fred Randall, the brothers Jim, George and Bill Samuels and Frank Paddick. Other cast members included Bert Sadler, Albert Seabrook, Don Webb, Felix Walsh, Paddy Moohan, W Samuels, Jack Tandy, Peter Samuel, A E Warn and John and Michael Thomas, all of them well known Croxley Green names.
It soon became the tradition for this imaginative group to be asked to perform the play yearly on Christmas Eve as well as giving other special performances. They raised money for local charitable works as well as for the school funds. The local hospital received various sums and the school its first wireless (radio) set.
Some weeks ahead of the Christmas festivities, the young men were assigned or reallocated their parts and rehearsed in preparation for the big night. The costumes were home made but very elaborate and although of an amateur style the production was very entertaining. These masks and costumes, having been stored away under the stage of the theatre behind the Guildhall, were examined to make sure they were in good order before their Christmas performance.
Neggy Wilson's 'old boys' in their Mummer's costumes in the hall behind the Guildhall
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Neggy Wilson's 'old boys' troupe in the grounds of Parrotts
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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(© Liz Frow) Croxley Mummers float at the 1951 Festival
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The Mummers with a performance at an early Revels on The Green c1950's
The families in the larger houses throughout the village would await the anticipated visiting Mummers and the order of performances was always exactly the same from year to year unless exceptional reasons prevailed.
Eager and excited, the young men would assemble at the Old Boys School to dress in costumes for their first performance at the Vicarage for the Vicar, his wife and one or two maids, the smallest audience of the evening.
Awaiting the troupe and just as jubilant at ‘Elmcote’ on The Green, then the home of Mr. F B Adams, were the family, servants and guests who were probably aware of the approach of the Mummers as they heard them singing the Wassailing Song.
The performance over, the butler Mr. Graver handed round glasses of a welcome ‘comforting drink’ to send them on their way to the Casebourne family in Copthorne Road. This time the players were greeted by an even larger party, described as the ‘Pickwickers of Dingley Dell’, with all those assembled kissing the Mummers in turn.
By now, with their timetable running late, they made a hurried walk across the road to Parrotts, receiving a short reminder on the virtues of punctuality. With several houses yet to visit and in the darkness of The Green they made their way to Little Green and Waterdell House where bright lights awaited them and the kind-hearted Mrs Forbes, who greeted them with a box of chocolates, inviting them to eat as many as they could manage.
At The Firs, just off The Green, they performed yet again prior to the long walk to the Watford Road and Lindiswara, the home of Charles Barton-Smith, manager of John Dickinson paper mill, and their last performance. By this time close to midnight, tired and weary, their spirits were revived by his generous hospitality and invitation to make themselves at home and tuck into the substantial fare.
It was a band of happy players who finally and reluctantly on a cold Christmas morning made their way home through a deserted village.
This tradition continued for many years, the venues and cast changing, until the mid 1930’s - about the time Neggy Wilson retired as headmaster and the shortly before the outbreak of World War Two. From time to time after the war they made appearances at the time of national events or special requested performances until the late 1950’s. Sadly, many of the original costumes were lost when the hall behind the Guildhall was destroyed by fire in 1965.
Eager and excited, the young men would assemble at the Old Boys School to dress in costumes for their first performance at the Vicarage for the Vicar, his wife and one or two maids, the smallest audience of the evening.
Awaiting the troupe and just as jubilant at ‘Elmcote’ on The Green, then the home of Mr. F B Adams, were the family, servants and guests who were probably aware of the approach of the Mummers as they heard them singing the Wassailing Song.
The performance over, the butler Mr. Graver handed round glasses of a welcome ‘comforting drink’ to send them on their way to the Casebourne family in Copthorne Road. This time the players were greeted by an even larger party, described as the ‘Pickwickers of Dingley Dell’, with all those assembled kissing the Mummers in turn.
By now, with their timetable running late, they made a hurried walk across the road to Parrotts, receiving a short reminder on the virtues of punctuality. With several houses yet to visit and in the darkness of The Green they made their way to Little Green and Waterdell House where bright lights awaited them and the kind-hearted Mrs Forbes, who greeted them with a box of chocolates, inviting them to eat as many as they could manage.
At The Firs, just off The Green, they performed yet again prior to the long walk to the Watford Road and Lindiswara, the home of Charles Barton-Smith, manager of John Dickinson paper mill, and their last performance. By this time close to midnight, tired and weary, their spirits were revived by his generous hospitality and invitation to make themselves at home and tuck into the substantial fare.
It was a band of happy players who finally and reluctantly on a cold Christmas morning made their way home through a deserted village.
This tradition continued for many years, the venues and cast changing, until the mid 1930’s - about the time Neggy Wilson retired as headmaster and the shortly before the outbreak of World War Two. From time to time after the war they made appearances at the time of national events or special requested performances until the late 1950’s. Sadly, many of the original costumes were lost when the hall behind the Guildhall was destroyed by fire in 1965.
(© West Herts Post) October 1953
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Page 1 Article in the John Dickinson Review Magazine
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Page 2 Article in the John Dickinson Review Magazine
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(© Hertfordshire Countryside) magazine No 39 Winter 1955-56
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In 1994 a group of Croxley Green residents including family members of players who had taken part in the early versions, decided to try to revive the play and perform it at Christmas time. A copy of Neggy’s play was found, residents were recruited and asked to become ‘actors’ and they set about making costumes and rehearsing. One member was actually a relative of Neggy’s original cast.
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By chance another member’s daughter was associated with the costume department at the Royal Shakespeare Company at Stratford upon Avon and produced a lavish Dragon’s outfit for her mother. The first rehearsals were held in Yorke Mead School then later at the Scout HQ in the Watford Road as well as ‘The Shed’ behind The Sportsman public house.
With the new troupe sufficiently rehearsed and a new set of venues agreed (the original ones being no longer available) suitable publicity was displayed.
With the new troupe sufficiently rehearsed and a new set of venues agreed (the original ones being no longer available) suitable publicity was displayed.
The poster advertising the first performances in 1994
It came to the notice of an officer at the District Council (Three Rivers District Council) which caused a slight problem and notified the group that a ‘Theatre Licence’ was required plus various public safety regulations such as ‘first aid’ ‘toilet facilities’ ‘emergency exits’ amongst other official requirements otherwise a hefty fine could be imposed and even imprisonment if this was not duly paid!
It would appear regulations had somewhat changed for performing even on an amateur basis. Publicity reached the local and national newspapers. Eventually common sense prevailed – as it was an amateur historical ‘event’ once a year the fees would be overlooked. However, tongue in cheek and in good humour, the group responded with some essential equipment such as a ‘child’s potty’ and a travelling first aid kit!
It would appear regulations had somewhat changed for performing even on an amateur basis. Publicity reached the local and national newspapers. Eventually common sense prevailed – as it was an amateur historical ‘event’ once a year the fees would be overlooked. However, tongue in cheek and in good humour, the group responded with some essential equipment such as a ‘child’s potty’ and a travelling first aid kit!
© Newspaper cutting 1994
(© Daily Mail) Newspaper cutting
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(© Watford Observer) December 1994 The Mummers get the go-ahead
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(© Watford Observer) The revival troupe 1994 -
Mummers stay mum?
This Christmas is unlikely to produce a more nonsensical example of red tape by a Hertfordshire council to sabotage a charity fund raising effort by eight amateur actors from the village of Croxley Green.
To raise funds for a Watford hospice, the group planned to revive an ancient local tradition by staging a traditional mummers play for lunchtime drinkers outside the village pubs on December 22nd.
“We wanted to perform when the pubs were packed,” says Chris Hillier,organiser of the mummers, “so we could make a mint for the Watford's Peace Hospice”
But the Three Rivers Council-motto “Investor in people “ - told the mummers that they would be committing a criminal offence under the 'Theatres Act, because their performances would take place before 2pm, and they would therefore risk heavy fines.
Home Office Minister David Maclean told the mummers that because it was for charity,the council could grant the plays a licence. The response from Alistair Robertson,the council's chief executive, was that the minister was 'mistaken' although after further pressure the council Scrooges agreed to grant a licence for just three performances- but only on certain conditions.
These include a requirement that the mummers must appoint a small army of stewards to act as marshals. Among their duties would be crowd control, traffic management and ensuring an adequate supply of fire-fighting equipment. They must also ensure that 'sanitary accommodation' is provided and 'cleaned and emptied regularly'
The performances usually took place on the Sunday before Christmas at various locations including Dickinson Square and the hostelries on The Green and Scots Hill.
The group of residents who took part in the revival from 1994 for many years include in order of appearance The Lord of Misrule, Alan Monahan; St. George, Nigel Moorcroft; The Dragon, Madryn Walden; The Doctor, Chris Hillier; Father Christmas, George Paddick; Turkish Knight, Margaret Pomfret; The Giant, Dave Bennett; King of Egypt, John Quick; King of Egypt’s daughter Michele Bennett.
This Christmas is unlikely to produce a more nonsensical example of red tape by a Hertfordshire council to sabotage a charity fund raising effort by eight amateur actors from the village of Croxley Green.
To raise funds for a Watford hospice, the group planned to revive an ancient local tradition by staging a traditional mummers play for lunchtime drinkers outside the village pubs on December 22nd.
“We wanted to perform when the pubs were packed,” says Chris Hillier,organiser of the mummers, “so we could make a mint for the Watford's Peace Hospice”
But the Three Rivers Council-motto “Investor in people “ - told the mummers that they would be committing a criminal offence under the 'Theatres Act, because their performances would take place before 2pm, and they would therefore risk heavy fines.
Home Office Minister David Maclean told the mummers that because it was for charity,the council could grant the plays a licence. The response from Alistair Robertson,the council's chief executive, was that the minister was 'mistaken' although after further pressure the council Scrooges agreed to grant a licence for just three performances- but only on certain conditions.
These include a requirement that the mummers must appoint a small army of stewards to act as marshals. Among their duties would be crowd control, traffic management and ensuring an adequate supply of fire-fighting equipment. They must also ensure that 'sanitary accommodation' is provided and 'cleaned and emptied regularly'
The performances usually took place on the Sunday before Christmas at various locations including Dickinson Square and the hostelries on The Green and Scots Hill.
The group of residents who took part in the revival from 1994 for many years include in order of appearance The Lord of Misrule, Alan Monahan; St. George, Nigel Moorcroft; The Dragon, Madryn Walden; The Doctor, Chris Hillier; Father Christmas, George Paddick; Turkish Knight, Margaret Pomfret; The Giant, Dave Bennett; King of Egypt, John Quick; King of Egypt’s daughter Michele Bennett.
At the Guild performing
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Chris Hillier (the doctor) leads the way to The Artichoke
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Dave Bennett (the giant) takes the lead having performed at Croxley House
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Father Christmas (George Paddick) makes an announcement
© St George and the Giant
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© Leaving the Sports Guild
St George and the Turkish Knight come to blows
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St George - Nigel Moorcroft
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St George fights the Dragon
The dragon and St George fight
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The Doctor revives St George
The Dragon and St George prepare to challenge each other
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The Dragon (Madryn Waldron)
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The dragon has slain St George
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The new troupe 1994
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The Turkish Knight(Margaret Pomfret)
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Waiting to perform at The Artichoke
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The above photographs taken in 1994 show just some of the actions that take place in the play and the locations
Other players who contributed in the early years to take on roles when players 'dropped out' included Bob and Hilary Parnell, Roger Catttermoul, Tim Davis, Graham Sawyer and Charlotte Pomfret.
After many appearances over the years The Mummers have attracted many loyal supporters that generously donate money for the children’s hospice in Watford.
The Mummers continue to entertain the residents of Croxley Green every year at this annual event and often perform as guest entertainers on special occasions. The cast continues with long standing players as well as 'actors' on 'short term contracts'! Some of the costumes created in 1994 are still worn but not 'worn out!'
The children's Peace Hospice continues to benefits from the generous donations from every performance.
After many appearances over the years The Mummers have attracted many loyal supporters that generously donate money for the children’s hospice in Watford.
The Mummers continue to entertain the residents of Croxley Green every year at this annual event and often perform as guest entertainers on special occasions. The cast continues with long standing players as well as 'actors' on 'short term contracts'! Some of the costumes created in 1994 are still worn but not 'worn out!'
The children's Peace Hospice continues to benefits from the generous donations from every performance.
A solemn occasion as the Doctor assesses the slain St George
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Another performance about to begin
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Father Christmas (George Paddick)
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Margaret Pomfret as The Giant!
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Outside the Coach & Horses for another performance
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St George (Tim Davis) in battle with The Turkish Knight
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St George and The Dragon prepare to challenge and do battle
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St George fights with the Dragon
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St George tries to slay the Dragon
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The crowd are entertained outside The Artichoke
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The Doctor (Hilary Parnell ) administers the cure
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The Doctor (Hilary Parnell) revives the Dragon
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The Doctor revives St George with a potion
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The Dragon towers over a slain St George
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The Giant (Margaret Pomfret) is challenged by St George (Tim Davis)
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The Giant begins his speech to the crowd
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The King of Egypt (John Quick) and an anxious daughter (Michelle Bennett)
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The Lord of Misrule opens the play (Tim Davis)
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Some photographs that followed between 1995-1998. The Mummers have gained a
huge following over the years and the
'actors ' change roles as well as new performers
(© Watford Observer) December 1996
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December 1997 St George (Roger Catamoul) Turkish Knight (Margaret Pomfret)
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(© Croxley Mummers) A poster advertising the December 1998 performances
September 1998 Chris Hillier confirms the photographs originality
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St George (Tim Davis) King of Egypt's daughter (Charlotte Pomfret)
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Just some of the publicity The Mummers receive every year
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The Mummers continue to perform every year – on special request as well as at Christmas time - see their Facebook web page for more photographs
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